The Vanda Collection began with this familiar bloom, but looks beyond the flower itself. Its colours and forms are reinterpreted into geometric compositions, where traces of the orchid meet subtle references to decorative tiles — a reflection of a city shaped by different cultures, histories and influences.

Rendered in vivid artisan enamel and designed with two finished faces, many Vanda pieces have no true front or back. They are made to turn and move as you wear them.

Perhaps that is what we love most about Vanda: its reminder that strength need not be rigid. We can adapt, change direction and still remain entirely ourselves.